STUDI PENGAMBILAN GAMBAR SEBAGAI PENATA GAMBAR DALAM PRODUKSI FILM DOKUMENTER “DANGIANG GALUH PAKUAN”

MULIAWAN, IVAN KURNIA (2019) STUDI PENGAMBILAN GAMBAR SEBAGAI PENATA GAMBAR DALAM PRODUKSI FILM DOKUMENTER “DANGIANG GALUH PAKUAN”. S1 thesis, Universitas Mercu Buana Jakarta.

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Abstract

Documentary films are presented with objective facts that have an essential and existential value for the people who enjoy them. Through documentary film, real-world reality can be moved through the process of representation into film. There are several types of documentary films, one of which is a biographical documentary that lifts the life of a community leader who has a great impact on the wider community. In Indonesia alone a lot of famous leaders who have the greatness or uniqueness of its own that has a direct relationship and impact on society. There are differentiate Dedi Mulyadi with other leaders, namely he is a humanist and has a unique political policy. In the making, drawers play an important role in mengimplentasikan concepts that have been prepared previously. The use of cinematography theory and film theory becomes a weapon to explain the message in the film to be conveyed to the audience. Film dokumenter disajikan dengan fakta objektif yang memiliki nilai esensial dan eksistensial tersendiri bagi masyarakat yang menikmatinya. Melalui film dokumenter, realitas yang terjadi di dunia nyata dapat dipindahkan melalui proses representasi kedalam bentuk film. Ada beberapa jenis film dokumenter, salah satunya ialah Dokumenter biografi yang mengangkat kehidupan seorang tokoh masyarakat yang memiliki dampak besar terhadap masyarakat luas. Di Indonesia sendiri banyak sekali tokoh pemimpin terkenal yang memiliki kehebatan ataupun keunikan tersendiri yang mempunyai hubungan langsung dan berdampak terhadap masyarakat. Ada yang membedakan Dedi Mulyadi dengan tokoh pemimpin lainnya, yaitu beliau adalah seorang budayawan dan memiliki kebijakan politik yang cukup unik. Dalam pembuatannya, penata gambar berperan penting dalam mengimplentasikan konsep-konsep yang sudah disusun sebelumnya. Penggunaan teori cinematography dan teori film menjadi senjata untuk menjelaskan pesan dalam film yang ingin disampaikan kepada penonton.

Item Type: Thesis (S1)
Call Number CD: FK/BRD. 18 250
NIM: 44114010097
Uncontrolled Keywords: penagmbilan gambar, penata gambar, produksi film dokumenter
Subjects: 000 Computer Science, Information and General Works/Ilmu Komputer, Informasi, dan Karya Umum > 000. Computer Science, Information and General Works/Ilmu Komputer, Informasi, dan Karya Umum > 004 Data Processing, Computer Science/Pemrosesan Data, Ilmu Komputer, Teknik Informatika > 004.6 Interfacing and Communications/Tampilan Antar Muka (Interface) dan Jaringan Komunikasi Komputer > 004.65 Computer Communications Networks/Jaringan Komunikasi Komputer
100 Philosophy and Psychology/Filsafat dan Psikologi > 150 Psychology/Psikologi > 153 Conscious Mental Process and Intelligence/Intelegensia, Kecerdasan Proses Intelektual dan Mental > 153.6 Communication Psychology/Psikologi Komunikasi > 153.69 Nonverbal Communication/Komunikasi Nonverbal
700 Arts/Seni, Seni Rupa, Kesenian > 780 Music/Seni Musik > 780.1-780.9 Standard Subdivisions of Music/Subdivisi Standar Dari Seni Musik > 780.1 Philosophy of Music/Filsafat Seni Musik > 780.14 Language and Communication/Bahasa dan Komunikasi
Divisions: Fakultas Ilmu Komunikasi > Penyiaran
Depositing User: Virda Syifa
Date Deposited: 03 Jan 2019 06:40
Last Modified: 07 Feb 2019 02:04
URI: http://repository.mercubuana.ac.id/id/eprint/46391

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