RAMDHANI, RICKY (2024) TEKNIK PENGAMBILAN GAMBAR PADA FILM DOKUMENTER "VESPA PADA BUDAYA URBAN". S1 thesis, Universitas Mercu Buana Jakarta.
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Abstract
The documentary film “Vespa in Urban Culture” explores how classic Vespa scooters have become a symbol of urban lifestyle and community in Indonesia. Utilizing an expository approach, the film highlights the role of the cameraman in creating compelling and informative visuals. The documentary “Vespa in Urban Culture” delves into the role of Vespa in urban culture through an expository lens. The production process includes research, shotlist preparation, and collaboration between the director and cameraman. The film employs the Five C’s of Cinematography theory and promotes the final product through social media platforms such as Instagram, YouTube, and TikTok. The documentary “Vespa in Urban Culture” presents the history and significance of the classic Vespa in Indonesia, as well as the struggles of its enthusiast community, using an expository style. With dramatic visual techniques and editing, the film highlights Vespa as a symbol of urban culture and lifestyle. Featuring interviews with figures such as Pak Beng, Pak Yamin, and Pak Sony, the film depicts the solidarity within the community and the emotional bond between the owners and their vehicles. Its goal is to educate students and the general public. Film dokumenter "Vespa pada Budaya Urban" mengungkapkan bagaimana Vespa klasik menjadi simbol gaya hidup dan komunitas perkotaan di Indonesia. Dengan pendekatan ekspositori, film ini menyoroti peran juru kamera dalam menciptakan gambar yang bercerita dan informatif. Film dokumenter “Vespa pada Budaya Urban” mengeksplorasi peran Vespa dalam budaya urban dengan pendekatan eksposisi. Proses produksi meliputi riset, penyusunan shotlist, dan kolaborasi antara sutradara dan juru kamera. Film ini menggunakan teori Five C’s of Cinematography dan mempromosikan hasil akhir melalui media sosial seperti Instagram, dan YouTube. Film dokumenter "Vespa pada Budaya Urban" mengangkat sejarah dan peran Vespa klasik di Indonesia serta perjuangan komunitas penggemarnya dengan gaya eksposisi. Dengan teknik visual dan editing dramatis, film ini menyoroti Vespa sebagai simbol budaya urban dan gaya hidup. Melibatkan narasumber seperti Pak Beng, Pak Yamin, dan Pak Sony, film ini menggambarkan solidaritas komunitas dan hubungan emosional antara pemilik dan kendaraan mereka. Tujuannya adalah mengedukasi mahasiswa dan masyarakat umum.
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