PERAN PENGARAH GAMBAR PADA PRODUKSI FILM PENDEK "LOVE ZONE"

JONATHAN, SATRIA (2026) PERAN PENGARAH GAMBAR PADA PRODUKSI FILM PENDEK "LOVE ZONE". S1 thesis, Universitas Mercu Buana Jakarta.

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Abstract

The short film “Love Zone” is an applied final project exploring themes of interpersonal communication, socio cultural differences, family dynamics, and the struggle for love hindered by disparities in social status and a lack of family approval. The film follows Roji, a young man from a modest background, who harbors feelings for Naya, a woman from a religious and prominent family. In this production, the author served as the Director of Photography (DoP), responsible for translating the director's vision and story concept into visuals that support the narrative and evoke audience emotion. This role encompassed the pre-production, production, and post-production stages ranging from script analysis, the creation of shot lists, floor plans, and photoboards, and the determination of visual concepts to camera and lighting setup and the supervision of visual material during editing. Cinematographic elements such as camera angles, camera movement, composition, and lighting were employed to reinforce the atmosphere, emotions, and character development within the story. Production challenges included changes to the treatment, equipment and space limitations, inconsistent lighting intensity, overexposure, and ambient noise interference. These issues were addressed through on-site technical adjustments, lighting control, camera positioning, and coordination with the editor during color grading and audio editing. The project demonstrates the vital contribution of the Director of Photography in translating the story concept and director's vision into visuals that facilitate message delivery and create an emotional experience for the audience. Furthermore, the production of “Love Zone” allowed the author to develop technical and artistic cinematography skills while enhancing decision-making and adaptability throughout the filmmaking process. Keywords: Director of Photography, Cinematography, Short Film, Love Zone, Interpersonal Communication. Film pendek Love Zone merupakan karya Tugas Akhir Aplikatif yang mengangkat tema komunikasi interpersonal, perbedaan latar belakang sosial dan budaya, dinamika keluarga, serta perjuangan cinta yang terhalang oleh perbedaan status sosial dan restu keluarga. Film ini menceritakan Roji, seorang pemuda dari keluarga sederhana, yang memiliki perasaan terhadap Naya, perempuan dari keluarga religius dan terpandang. Dalam produksi film ini, penulis berperan sebagai Pengarah Gambar yang bertanggung jawab menerjemahkan visi sutradara dan konsep cerita ke dalam bentuk visual yang mendukung narasi serta membangun emosi penonton. Peran tersebut diterapkan melalui tahap pra-produksi, produksi, dan pasca-produksi, mulai dari menganalisis naskah, menyusun shotlist, floorplan, dan fotoboard, menentukan konsep visual, mengatur kamera dan pencahayaan, hingga mengawasi materi visual pada proses editing. Penerapan unsur sinematografi seperti camera angle, camera movement, composition, dan pencahayaan digunakan untuk memperkuat suasana, emosi, serta perkembangan karakter dalam cerita. Selama proses produksi, terdapat beberapa kendala berupa perubahan treatment, keterbatasan peralatan dan ruang, perbedaan intensitas pencahayaan, overexposure, serta gangguan suara lingkungan. Kendala tersebut diatasi melalui penyesuaian teknis di lapangan, pengendalian pencahayaan, penyesuaian posisi kamera, serta koordinasi dengan editor pada tahap color grading dan penyuntingan audio. Berdasarkan proses yang telah dilakukan, dapat disimpulkan bahwa peran Pengarah Gambar memiliki kontribusi penting dalam menerjemahkan konsep cerita dan visi sutradara ke dalam visual yang mendukung penyampaian pesan serta membangun pengalaman emosional bagi penonton. Proses produksi Love Zone juga memberikan pengalaman bagi penulis dalam mengembangkan kemampuan teknis dan artistik di bidang sinematografi serta meningkatkan kemampuan dalam mengambil keputusan dan beradaptasi selama proses produksi film. Kata kunci: Pengarah Gambar, Sinematografi, Film Pendek, Love Zone, Komunikasi Interpersonal.

Item Type: Thesis (S1)
NIM/NIDN Creators: 44123120001
Uncontrolled Keywords: Pengarah Gambar, Sinematografi, Film Pendek, Love Zone, Komunikasi Interpersonal.
Subjects: 000 Computer Science, Information and General Works/Ilmu Komputer, Informasi, dan Karya Umum > 070 Documentary Media, Educational Media, News Media, Journalism, Publishing/Media Dokumenter, Media Pendidikan, Media Berita, Jurnalisme, Penerbitan > 070.1-070.9 Standard Subdivisions of Documentary Media, Educational Media, News Media, Journalism, Publishing/Subdivisi Standar Dari Media Dokumenter, Media Pendidikan, Media Berita, Jurnalisme, Penerbitan > 070.1 Documentary Media, Educational Media, News Media/Media Dokumenter, Media Pendidikan, Media Berita > 070.19 Broadcast Media/Media Broadcast
700 Arts/Seni, Seni Rupa, Kesenian > 740 Drawing and Decorative Art/Menggambar dan Seni Dekorasi > 749 Furniture Arts/Seni Furnitur > 749.6 Heating and Lighting Fixtures and Furniture/Perlengkapan Pencahayaan dan Pemanasan Funitur > 749.63 Lighting/Pencahayaan
700 Arts/Seni, Seni Rupa, Kesenian > 770 Photography and Photographs/Seni Fotografi dan Foto > 778 Specific Fields of Photography/Bidang-bidang Khusus Seni Fotografi > 778.5 Cinematography, Video Production, Related Activities/Sinematografi, Produksi Video, dan Kegiatan Terkait > 778.56 Special Kinds of Cinematography/Jenis-jenis Sinematografi Khusus
Divisions: Fakultas Ilmu Komunikasi > Penyiaran
Depositing User: khalimah
Date Deposited: 14 Sep 2026 07:42
Last Modified: 14 Sep 2026 07:42
URI: http://repository.mercubuana.ac.id/id/eprint/103856

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