RESEPSI GEN-Z TERHADAP IMAGINE HYPER REALITAS DALAM FILM SIKSA KUBUR

SETIAWAN, KEVIN (2026) RESEPSI GEN-Z TERHADAP IMAGINE HYPER REALITAS DALAM FILM SIKSA KUBUR. S1 thesis, Universitas Mercu Buana Jakarta.

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Abstract

This study aims to examine Generation Z's reception of hyperreality imagery in Joko Anwar's film Grave Torture (Siksa Kubur). The film was selected because it constructs hyperreality imagery through visual elements, audio, symbols, narrative, cinematography, and visual effects that convincingly depict the afterlife, potentially influencing audience interpretation. This research employed a qualitative method using Stuart Hall's reception analysis approach. Data were collected through indepth interviews with 15 Generation Z informants from Christian and Buddhist backgrounds. The findings reveal that the informants interpreted the film's hyperreality imagery differently based on their religious beliefs, personal experiences, and individual perspectives. According to Stuart Hall's reception theory, these interpretations were categorized into dominant-hegemonic, negotiated, and oppositional positions. The study concludes that audiences actively construct meanings of the hyperreality imagery presented in the film, resulting in diverse interpretations rather than a uniform acceptance of media messages. Keywords: Reception Analysis, Hyperreality Imagery, Grave Torture (Siksa Kubur), Generation Z, Stuart Hall. Penelitian ini bertujuan untuk mengetahui resepsi Generasi Z terhadap imaji hyperrealitas dalam film Siksa Kubur karya Joko Anwar. Film ini dipilih karena membangun imaji hyperrealitas melalui visual, audio, simbol, narasi, sinematografi, serta efek visual yang menghadirkan gambaran kehidupan setelah kematian secara meyakinkan sehingga berpotensi memengaruhi pemaknaan penonton. Penelitian ini menggunakan metode kualitatif dengan pendekatan analisis resepsi Stuart Hall. Data diperoleh melalui wawancara mendalam terhadap 15 informan Generasi Z yang berasal dari latar belakang agama Kristen dan Buddha. Hasil penelitian menunjukkan bahwa informan memberikan pemaknaan yang beragam terhadap imaji hyperrealitas yang ditampilkan dalam film sesuai dengan latar belakang agama, pengalaman, dan keyakinan masing-masing. Berdasarkan teori resepsi Stuart Hall, pemaknaan informan terbagi ke dalam tiga posisi, yaitu dominant-hegemonic, negotiated, dan oppositional. Temuan penelitian menunjukkan bahwa audiens berperan aktif dalam memaknai imaji hyperrealitas yang dibangun melalui media, sehingga makna yang dihasilkan tidak diterima secara seragam oleh setiap individu. Kata Kunci: Resepsi, Imaji Hyperrealitas, Film Siksa Kubur, Generasi Z, Stuart Hall

Item Type:	Thesis (S1)
NIM/NIDN Creators:	44121010077
Uncontrolled Keywords:	Resepsi, Imaji Hyperrealitas, Film Siksa Kubur, Generasi Z, Stuart Hall
Subjects:	000 Computer Science, Information and General Works/Ilmu Komputer, Informasi, dan Karya Umum > 070 Documentary Media, Educational Media, News Media, Journalism, Publishing/Media Dokumenter, Media Pendidikan, Media Berita, Jurnalisme, Penerbitan > 070.1-070.9 Standard Subdivisions of Documentary Media, Educational Media, News Media, Journalism, Publishing/Subdivisi Standar Dari Media Dokumenter, Media Pendidikan, Media Berita, Jurnalisme, Penerbitan > 070.1 Documentary Media, Educational Media, News Media/Media Dokumenter, Media Pendidikan, Media Berita > 070.19 Broadcast Media/Media Broadcast 300 Social Science/Ilmu-ilmu Sosial > 300. Social Science/Ilmu-ilmu Sosial > 306 Culture and Institutions/Kultur, Ilmu Budaya, Kebudayaan dan Lembaga-lembaga, Institusi > 306.9 Deaths/Kematian 400 Language/Bahasa > 400. Language/Bahasa > 401 Philosopy and Theory/Filsafat dan Teori Bahasa > 401.4 Language and Communication, Lexicology/Bahasa dan Komunikasi, Leksikologi > 401.41 Semiotics/Semiotik 700 Arts/Seni, Seni Rupa, Kesenian > 790 Recreational and Performing Arts/Olah Raga dan Seni Pertunjukan > 791 Public Performances/Pertunjukan Umum > 791.4 Motion Pictures, Radio, Television/Gambar Gerak, Radio, Televisi > 791.43 Motion Pictures, Movies, Cinema/Bioskop, Movie, Film Hiburan, Sinema
Divisions:	Fakultas Ilmu Komunikasi > Penyiaran
Depositing User:	khalimah
Date Deposited:	26 Aug 2026 02:51
Last Modified:	26 Aug 2026 02:51
URI:	http://repository.mercubuana.ac.id/id/eprint/103394

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