DANUNEGORO, BIMO ADJIE (2026) TEKNIK PENYUTRADARAAN DALAM PROGRAM FEATURE "JAJAK NUSANTARA: JELAJAH KEINDAHAN PANGANDARAN". S1 thesis, Universitas Mercu Buana Jakarta.
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Abstract
The television feature program “Jajak Nusantara: Exploring The Beauty Of Pangandaran” was created to showcase a different side of Pangandaran tourism that many people don't yet know about. Through the concept of “A Living Postcard,” this feature encourages viewers to go beyond just a regular trip. It's designed to be both entertaining and educational. In the making of this feature work, the writer served as Director responsible for the production process, visual presentation of the show, and script writing. To allow the audience to experience this journey, the director used a natural visual style, namely Cinematic Naturalism and the Narrative Transportation storytelling technique. By combining visual beauty, voice guidance, and interaction from the presenter, the audience is invited to experience the change in atmosphere from the bustling coast of Pangandaran to the 0 KM Pangandaran Point. The creation of this features went through three main stages: preproduction, production, and post-production. Throughout the production process, the director was required to make quick decisions when faced with various obstacles such as bad weather or equipment problems, ensuring the story remained on track. Ultimately, the strong teamwork resulted in a compelling travelogue that also showcased Pangandaran's natural beauty up close. Keywords: Travel Feature, Director, Pangandaran, Tourism, A Living Postcard, Narrative Transportation. Program televisi feature “Jajak Nusantara: Jelajah Keindahan Pangandaran” dibuat untuk memperlihatkan sisi lain dari wisata Pangandaran yang belum diketahui oleh banyak orang. Melalui konsep “A Living Postcard”, feature ini mengajak penonton untuk tidak sekadar jalan-jalan biasa. Feature ini dirancang agar tidak hanya menghibur, tetapi juga juga edukatif. Dalam pembuatan karya feature ini, penulis bertugas sebagai Sutradara yang bertanggung jawab atas jalannya proses produksi, tampilan visual tayangan, dan pembuatan naskah. Agar penonton bisa ikut merasakan perjalanan ini, sutradara menggunakan gaya visual alami yaitu Cinematic Naturalism dan teknik bercerita Narrative Transportation. Dengan mengkombinasikan keindahan visual, panduan suara, dan interaksi dari pembawa acara, penonton seolah diajak ikut serta merasakan perubahan suasana dari ramainya pesisir pantai Pangandaran hingga bermuara di Titik 0 KM Pangandaran. Pembuatan karya ini melewati tiga tahap utama: pra-produksi, produksi, dan pasca-produksi. Selama proses produksi berjalan, sutradara dituntut untuk cepat mengambil keputusan ketika menghadapi berbagai kendala seperti cuaca buruk atau masalah peralatan, agar cerita tetap berjalan sesuai naskah. Pada akhirnya, kerja sama tim yang baik berhasil menciptakan sebuah tontonan perjalanan yang menarik, sekaligus mampu memperlihatkan pesona alam Pangandaran secara lebih dekat. Kata Kunci: Feature Perjalanan, Sutradara, Pangandaran, Pariwisata, A Living Postcard, Narrative Transportation.
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