SUGIANTO, ARI (2025) PERAN PENYUNTING GAMBAR DALAM FILM DOKUMENTER "PUNK FOOTBALL INDONESIA - COLLECTIVE & FRIENDSHIP". S1 thesis, Universitas Mercu Buana Jakarta.
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Abstract
The documentary film “Punk Football Indonesia: Collective & Friendship” explores the phenomenon of punk football communities in Indonesia as a form of resistance against the commercialization of modern football, while emphasizing values of solidarity, equality, and togetherness. This study focuses on the role of the film editor in the post-production process to construct a visual narrative that is both informative and emotionally engaging. Using an expository approach, the documentary captures the activities of three punk football clubs Riverside Forest (Bandung), Rainfall FC (Bogor), and Port City Wanderers (Jakarta) through field research, in-depth interviews, and cinematography that maintains visual continuity. The editing process applies continuity editing, cut-to-cut techniques, color grading, informative graphics, and sound design to enhance message delivery. The result is a documentary that serves not only as an audiovisual work but also as a cultural campaign medium promoting alternative spaces in Indonesian football culture. This research highlights that the role of a film editor extends beyond technical execution, encompassing social sensitivity and the ability to shape visual representation that can drive social transformation. Keywords: documentary film, punk football, film editor, continuity editing, cultural campaign Film dokumenter “Punk Football Indonesia: Collective & Friendship” mengangkat fenomena komunitas punk football di Indonesia sebagai bentuk perlawanan terhadap komersialisasi sepak bola modern, sekaligus menegaskan nilai solidaritas, kesetaraan, dan kebersamaan. Studi ini memfokuskan pada peran penyunting gambar dalam proses pasca produksi untuk membangun narasi visual yang informatif, emosional, dan autentik. Dengan pendekatan ekspositori, dokumenter ini merekam aktivitas tiga klub punk football Riverside Forest (Bandung), Rainfall FC (Bogor), dan Port City Wanderers (Jakarta) melalui riset lapangan, wawancara mendalam, dan pengambilan gambar yang mempertahankan kesinambungan visual. Proses penyuntingan dilakukan dengan teknik continuity editing, cut to cut, penyesuaian warna, penambahan grafis informatif, serta penataan suara untuk memperkuat penyampaian pesan. Hasilnya, dokumenter ini tidak hanya berfungsi sebagai karya audiovisual, tetapi juga sebagai media kampanye kultural yang mempromosikan ruang alternatif dalam budaya sepak bola Indonesia. Penelitian ini menegaskan bahwa peran penyunting gambar melampaui aspek teknis, mencakup sensitivitas sosial dan kemampuan membentuk representasi visual yang mampu mendorong transformasi sosial Kata kunci: film dokumenter, punk football, penyunting gambar, continuity editing, kampanye kultural
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