REPRESENTASI DEPRESI DALAM FILM "A MAN CALLED OTTO"

HARIF, AHMAD IMAM AL (2024) REPRESENTASI DEPRESI DALAM FILM "A MAN CALLED OTTO". S1 thesis, Universitas Mercu Buana Jakarta.

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Abstract

This research examines the theme of depression representation in the film "A Man Called Otto" directed by Marc Foster (2023). In this context, representation refers to the effort to reflect social reality through implicit messages in the film's work. With the backdrop of the film's popularity as an entertainment option, this study explores how depression is portrayed in the film, particularly through its main character, Otto Anderson. Analyzing depression representation through film media, this research employs representation theory and analyzes the signs and meanings contained within it. Furthermore, the Prolonged Grief Disorder (PGD) theory is utilized to explore the prolonged grief response after the main character's loss. Constructivist paradigm serves as the primary analytical framework, utilizing the Charles Sanders Peirce semiotics model, specifically the Triadic theory, to identify depression representation in the film "A Man Called Otto." This study analyzes the audiovisual elements in the film to understand depression representation within its context. Based on the findings from 11 scenes, it can be concluded that the cinematic elements in the film tend to use eye-level angles to convey meanings within the scenes. The use of medium shot, medium close up, and close up aims to capture facial expressions, activities, and details within the scenes. Blue and yellow color tones are employed to enhance the film's dramatization and emphasize the tragedy experienced by the character Otto. Keyword: Representation, Depression, Semiotics, Film Penelitian ini mengangkat tema representasi depresi dalam film "A Man Called Otto" yang disutradarai oleh Marc Foster (2023). Dalam konteks ini, representasi merujuk pada upaya untuk mencerminkan realitas sosial melalui pesanpesan yang tersirat dalam karya film. Dengan latar belakang popularitas film sebagai opsi hiburan, penelitian ini mengeksplorasi bagaimana depresi direpresentasikan dalam film tersebut, khususnya melalui karakter utamanya, Otto Anderson. Dalam menganalisis representasi depresi melalui media film, penelitian ini menggunakan teori representasi serta menganalisis tanda dan makna yang terkandung di dalamnya. Selain itu, teori Prolonged Grief Disorder (PGD) digunakan untuk mengeksplorasi respons duka yang berkepanjangan setelah kehilangan yang dialami oleh karakter utama. Paradigma konstruktivis digunakan sebagai kerangka analisis utama, dengan metode menggunakan model semiotika Charles Sanders Peirce, khususnya teori Triadik, untuk mengidentifikasi representasi depresi dalam film "A Man Called Otto". Penelitian ini menganalisis elemen audio visual dalam film "A Man Called Otto" untuk memahami representasi depresi dalam konteks film tersebut. Dapat disimpulkan bahwa unsur sinematik dalam film "A Man Called Otto" cenderung menggunakan angle eye level untuk menyampaikan makna-makna yang terdapat dalam scene. Penggunaan medium shot, medium close up, dan close up bertujuan untuk menangkap ekspresi wajah, aktivitas, dan detail-detail dalam adegan. Tone warna biru dan kuning digunakan untuk meningkatkan dramatisasi film dan menekankan ketragisan yang dialami oleh karakter Otto. Kata Kunci: Representasi, Depresi, Semiotika, Film

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