RAMAT, IHYA ULUMUDDIN (2022) TEKNIK PENYUTRADARAAN PADA FILM DRAMA PENDEK “HASRAT”. S1 thesis, Universitas Mercu Buana Jakarta.
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Abstract
In the development of the times, films have always been a medium of mass communication to convey a verbal and non-verbal message. In making the short drama film "Hasrat" the role of the director applies the theory and concept of directing. In making the film "Hasrat" the director applied the theory of Mise En Scene as a concept in the film. Mise en scene consists of four elements, namely; setting, costumes and make-up, lighting and actors. In all these elements cannot stand alone and are closely related to cinematic elements such as cinematography, sound and editing. Because the elements of mise en scene are combined and matched with cinematic elements, a unified and harmonious whole will be formed to be conveyed to the audience. In the production of the film "Hasrat" the director adjusted the story and added emphasis to the concept of Mise En Scene. Like a suitable costume used, Make Up that fits the concept of the film, Set Up a place that fits the concept of the story and also Blocking that fits to get the frame that fits the scene. Keywords: Short Film, Mise En Scene, Director. Dalam perkembagan zaman, film selalu menjadi media komunikasi massa untuk menyampaikan sebuah pesan verbal dan non verbal. Dalam pembuatan film drama pendek “Hasrat” peran sutradar mengaplikasikan teori dan konsep penyutradaraan. Pada pembuatan film “Hasrat” sutradara melakukan pengaplikasian teori Mise En Scene sebagai konsep pada film tersebut.Mise en scene terdiri dari empat unsur yaitu; setting, kostum dan tata rias, pencahayaan serta aktor. Dalam semua unsur tersebut tidak dapat berdiri sendiri dan berkaitan erat dengan unsur sinematik seperti sinematografi, suara dan juga editing. Karena unsur mise en scene dipadu padankan dengan unsur sinematik, maka akan terbentuk satu kesatuan yang utuh dan harmonis untuk disampaikan kepada penonton.Pada produksi film “Hasrat” sutradara menyesuaikan cerita dan memperbanyak penegasan pada kosep Mise En Scene. Seperti Kostum yang cocok digunakan, Make Up yang sesuai konsep film, Set Up Tempat yang sesuai dengan konsep cerita serta juga Blocking yang pas untuk mendapatkan frame yang sesuai dengan adegan. Kata Kunci: Film Pendek, Mise En Scene, Sutradara.
| Item Type: | Thesis (S1) |
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| Call Number CD: | FK/BRD. 22 101 |
| NIM/NIDN Creators: | 44118010106 |
| Uncontrolled Keywords: | Film Pendek, Mise En Scene, Sutradara. |
| Subjects: | 700 Arts/Seni, Seni Rupa, Kesenian > 770 Photography and Photographs/Seni Fotografi dan Foto 700 Arts/Seni, Seni Rupa, Kesenian > 770 Photography and Photographs/Seni Fotografi dan Foto > 778 Specific Fields of Photography/Bidang-bidang Khusus Seni Fotografi 700 Arts/Seni, Seni Rupa, Kesenian > 770 Photography and Photographs/Seni Fotografi dan Foto > 778 Specific Fields of Photography/Bidang-bidang Khusus Seni Fotografi > 778.5 Cinematography, Video Production, Related Activities/Sinematografi, Produksi Video, dan Kegiatan Terkait |
| Divisions: | Fakultas Ilmu Komunikasi > Penyiaran |
| Depositing User: | ELMO ALHAFIIDH PUTRATAMA |
| Date Deposited: | 20 Oct 2022 03:07 |
| Last Modified: | 20 Oct 2022 03:07 |
| URI: | http://repository.mercubuana.ac.id/id/eprint/70638 |
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