IMPLEMENTASI MISE EN SCENE & SCREEN DIRECTION DALAM FILM PENDEK "UNWRITTEN FEELINGS"

PUTRI, NADYA BERLIANA (2025) IMPLEMENTASI MISE EN SCENE & SCREEN DIRECTION DALAM FILM PENDEK "UNWRITTEN FEELINGS". S1 thesis, Universitas Mercu Buana Jakarta.

[img]
Preview
Text (HAL COVER)
01 COVER.pdf

Download (614kB) | Preview
[img] Text (BAB I)
02 BAB 1.pdf
Restricted to Registered users only

Download (199kB)
[img] Text (BAB II)
03 BAB 2.pdf
Restricted to Registered users only

Download (241kB)
[img] Text (BAB III)
04 BAB 3.pdf
Restricted to Registered users only

Download (512kB)
[img] Text (BAB IV)
05 BAB 4.pdf
Restricted to Registered users only

Download (799kB)
[img] Text (BAB V)
06 BAB 5.pdf
Restricted to Registered users only

Download (52kB)
[img] Text (DAFTAR PUSTAKA)
07 DAFTAR PUSTAKA.pdf
Restricted to Registered users only

Download (113kB)
[img] Text (LAMPIRAN)
08 LAMPIRAN.pdf
Restricted to Registered users only

Download (488kB)

Abstract

Film, as an audiovisual medium of communication, possesses a powerful ability to convey social messages in an emotional and profound manner. Unwritten Feelings is a short film in the drama-romance genre that aims to raise public awareness about the lives of individuals with visual disabilities. The writer chose this theme to highlight narratives that are rarely addressed in mainstream media, particularly the daily challenges faced by people with visual impairments. This research aims to analyze the implementation of mise en scène and screen direction techniques in the short film Unwritten Feelings, and how these elements are utilized to enhance emotional expression and maintain visual continuity within the narrative. Through this analysis, the writer seeks to demonstrate how consciously designed visual elements can convey deeper meanings and support a touching cinematic experience. The findings indicate that the arrangement of visual elements—such as dim lighting, symbolically colored costumes, and subtle actor gestures—effectively reinforces the film’s emotional atmosphere. The consistent application of screen direction also helps maintain visual logic between scenes and enables the audience to follow the storyline more clearly. Overall, this approach makes Unwritten Feelings not only a fictional work, but also a reflective medium for understanding love, limitations, and empathy on a deeper level. Keywords: Film, directing, screen direction, mise en scène Film sebagai sarana komunikasi audiovisual memiliki kekuatan besar dalam menyampaikan pesan sosial secara emosional dan mendalam. "Unwritten Feelings" adalah sebuah film pendek bergenre drama-romantis yang bertujuan untuk meningkatkan kesadaran publik terhadap kehidupan penyandang disabilitas visual. Penulis memilih tema ini untuk mengangkat narasi yang jarang disorot di media populer, khususnya mengenai tantangan sehari-hari yang dihadapi oleh individu dengan keterbatasan penglihatan. Penelitian ini bertujuan untuk menganalisis implementasi teknik mise en scène dan screen direction dalam film pendek Unwritten Feelings, serta bagaimana dan membangun kesinambungan visual dalam narasi. Melalui analisis ini, penulis berupaya menunjukkan bagaimana tata visual yang dirancang secara sadar mampu menghadirkan kedalaman makna dan mendukung pengalaman sinematik yang menyentuh. Hasil penelitian menunjukkan bahwa penataan elemen visual seperti pencahayaan remang, kostum berwarna simbolis, hingga gestur halus para aktor berhasil memperkuat suasana emosional film. Penerapan screen direction yang konsisten juga membantu menjaga logika visual antar adegan dan memudahkan penonton memahami alur. Keseluruhan pendekatan ini menjadikan Unwritten Feelings bukan hanya sebagai karya fiksi, tetapi juga sebagai medium reflektif untuk memahami cinta, keterbatasan, dan empati secara lebih mendalam. Kata Kunci : Film, penyutradaraan, screen direction, mise en scene

Item Type: Thesis (S1)
Call Number CD: FK/BRD. 25 059
NIM/NIDN Creators: 44121010082
Uncontrolled Keywords: Film, penyutradaraan, screen direction, mise en scene
Subjects: 000 Computer Science, Information and General Works/Ilmu Komputer, Informasi, dan Karya Umum > 010 Bibliography/Bibliografi > 011 General Bibliographies/Bibliografi Umum > 011.3 Bibliographies by Specific Forms/Bibliografi dan Katalog dengan Bentuk Khusus > 011.37 Visual and Audio Visual Media/Media Visual dan Audio Visual
700 Arts/Seni, Seni Rupa, Kesenian > 740 Drawing and Decorative Art/Menggambar dan Seni Dekorasi > 746 Textile Arts/Seni Tekstil > 746.9 Other Textile Arts/Seni Tekstil Lainnya > 746.92 Costume/Kostum
700 Arts/Seni, Seni Rupa, Kesenian > 740 Drawing and Decorative Art/Menggambar dan Seni Dekorasi > 749 Furniture Arts/Seni Furnitur > 749.7 Pictures Frames/Seni Membuat Bingkai dan Pigura
700 Arts/Seni, Seni Rupa, Kesenian > 770 Photography and Photographs/Seni Fotografi dan Foto > 778 Specific Fields of Photography/Bidang-bidang Khusus Seni Fotografi > 778.7 Photography under Specific Conditions/Fotografi dengan Kondisi Khusus > 778.76 Available Light Photography/Pencahayaan Fotografi
700 Arts/Seni, Seni Rupa, Kesenian > 790 Recreational and Performing Arts/Olah Raga dan Seni Pertunjukan > 791 Public Performances/Pertunjukan Umum > 791.4 Motion Pictures, Radio, Television/Gambar Gerak, Radio, Televisi > 791.43 Motion Pictures, Movies, Cinema/Bioskop, Movie, Film Hiburan, Sinema
Divisions: Fakultas Ilmu Komunikasi > Penyiaran
Depositing User: khalimah
Date Deposited: 04 Jul 2025 08:00
Last Modified: 04 Jul 2025 08:00
URI: http://repository.mercubuana.ac.id/id/eprint/95996

Actions (login required)

View Item View Item