ALI, SALMAN (2026) PERANCANGAN TATA KAMERA BERBASIS TEKNIK 5C CINEMATOGRAPHY PADA FILM PENDEK "CINTA YANG TAK LAGI PULANG". S1 thesis, Universitas Mercu Buana Jakarta.
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Abstract
This research examines camera design for the short film "Cinta Yang Tak Lagi Pulang" through the application of 5C Cinematography theory (Camera Angle, Continuity, Close-up, Composition, Cutting) developed by Joseph V. Mascelli. The film explores stereotypes and social value conflicts between urban and rural communities through a love story between two main characters, Raka and Sarasnita, whose relationship is hindered by differing backgrounds and family expectations. The research problems focus on how the 5C technique is implemented in each key scene, how the cinematographer's audiovisual choices contribute to conveying the story's message, and why applying these techniques effectively builds emotional closeness with viewers. The design method covers pre-production through storyboard and shotlist creation, production through filming guided by the director, and post-production through delivering camera reports to the editor. Technical aspects applied include lens selection (fixed, zoom, wide, and telephoto), three-point lighting techniques (key light, fill light, back light), and various camera movements such as pan, tilt, dolly, and tracking to strengthen the story's emotional nuance. The design outcome is expected to serve as an academic reference for Broadcasting students in producing short films using cinematographic techniques that effectively convey social messages and evoke viewers' emotions. Keywords: cinematography, camera design, 5C technique, short film, stereotype Penelitian ini membahas perancangan tata kamera pada film pendek "Cinta Yang Tak Lagi Pulang" dengan menerapkan teori 5C Cinematography (Camera Angle, Continuity, Close-up, Composition, Cutting) yang dikembangkan oleh Joseph V. Mascelli. Film ini mengangkat isu stereotipe dan konflik nilai sosial antara masyarakat kota dan desa melalui kisah cinta dua karakter utama, Raka dan Sarasnita, yang terhalang oleh perbedaan latar belakang dan ekspektasi keluarga. Rumusan masalah dalam penelitian ini berfokus pada bagaimana teknik 5C diimplementasikan pada setiap adegan kunci, bagaimana pilihan audiovisual penata kamera berkontribusi menyampaikan pesan cerita, serta mengapa penerapan teknik tersebut efektif membangun kedekatan emosional penonton. Metode perancangan meliputi tahap pra-produksi berupa penyusunan storyboard dan shotlist, tahap produksi berupa pengambilan gambar sesuai arahan sutradara, hingga tahap pasca-produksi berupa penyerahan camera report kepada editor. Aspek teknis yang diterapkan mencakup pemilihan jenis lensa (fix, zoom, wide, dan telephoto), teknik pencahayaan tiga titik (key light, fill light, back light), serta berbagai jenis pergerakan kamera seperti pan, tilt, dolly, dan tracking untuk memperkuat nuansa emosional cerita. Hasil perancangan diharapkan dapat menjadi referensi akademis bagi mahasiswa Broadcasting dalam memproduksi film pendek berbasis teknik sinematografi yang mampu menyampaikan pesan sosial secara efektif dan menyentuh emosi penonton. Kata kunci: sinematografi, tata kamera, teknik 5C, film pendek, stereotipe
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