AGUNG, RAMA SATRIA (2026) ANALISIS KETERASINGAN REMAJA DALAM FILM MID90S KARYA JONAH HILL (Semiotika Komunikasi Roland Barthes). S1 thesis, Universitas Mercu Buana Jakarta.
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Abstract
The film Mid90s intriguingly explores youth isolation and identity struggles through the skateboard subculture. The narrative constructs a behavioral contrast as a socially disconnected child adopts a street lifestyle to gain peer acceptance. This qualitative study aims to analyze the construction of meaning surrounding youth isolation and identity search in the character of Stevie, utilizing a constructivist paradigm and Roland Barthes' Semiotic analysis through textual observation of scene documentations. The findings represent how adolescent psychosocial conditions are constructed across five dimensions: powerlessness, meaninglessness, normlessness, social isolation, and self-estrangement. Through cinematic elements and multilayered connotations, this study concludes that family discomfort acts as a catalyst for adolescents to seek refuge in the public sphere, ultimately steering them into new social dynamics. Keywords: Social Isolation, Identity Search, Roland Barthes Semiotics, Mid90s, Film Film Mid90s secara menarik mengangkat isu keterasingan remaja yang dikemas melalui subkultur skateboard, merefleksikan problem nyata kesepian dan kesehatan mental remaja di masyarakat saat ini. Narasi film ini mengkonstruksi benturan perilaku secara kontras: seorang anak rumahan yang terasing nekat mengadopsi norma jalanan yang dicap nakal demi mencari ruang sosial dan pengakuan kelompok. Penelitian ini bertujuan untuk menganalisis konstruksi makna keterasingan remaja pada tokoh Stevie dalam film Mid90s. Penelitian ini menggunakan pendekatan kualitatif dengan paradigma konstruktivisme dan metode analisis Semiotika Roland Barthes. Teknik pengumpulan data dilakukan melalui observasi tekstual terhadap dokumentasi adegan. Hasil penelitian merepresentasikan bagaimana keterasingan remaja dikonstruksi melalui lima dimensi keterasingan, yaitu: Powerlessness, Meaninglessness, Normlessness, Social Isolation, dan Self-Estrangement. Melalui perpaduan elemen sinematik dan konotasi berlapis, penelitian ini menyimpulkan bahwa ruang domestik yang traumatis dimaknai sebagai pendorong bagi remaja untuk mencari pelarian di ruang publik, yang pada akhirnya justru memperjelas siklus keterasingan yang baru. Kata Kunci: Keterasingan Remaja, Semiotika Roland Barthes, MID90S, Film
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